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Ship Arriving Too Late To Save a Drowning Witch

a Studio release
by
Frank Zappa

Release Year: 1982

Date Label Catalog # Comments
This was Zappa's highest charting and most popular album of the '80s. Roger Price who did this cartoon called "Droodles" and one of the pictures in the book was called "Drowning Witch. This is the source of the album title and cover art.

The commercial success of this album is no doubt due to the song Valley Girl sung by Zappa's teenage daughter Moon Unit. This song was Zappa's highest charting single in the USA (#32) and got him his second Grammy nomination (for Best Rock Performance By A Duo Or Group With Vocal).

Valley Girl as a song is not representative of the remaining tunes here - - as the rest of the album is filled with songs that have more in common with the normal work done by Zappa on other albums of this period.
Added To Proggnosis Database on: 3/10/2003 12:00:00 AM
Entry Last Updated on: 10/20/2010 2:42:00 AM by: Rob
  1. No Not Now (5:50)
  2. Valley Girl (4:50)
  3. I Come From Nowhere (6:09)
  4. Drowning Witch (12:03)
  5. Envelopes (2:45)
  6. Teen-Age Prostitute (2:41)
Steve Vai
Guitar
Bobby Martin
Keyboards, Saxophone, Vocals
Ed Mann
Percussion
Chad Wackerman
Drums, Vocals
Ike Willis
Guitar, Vocals
Arthur Barrow
Bass
Roy Estrada
Bass, Vocals
Frank Zappa
Guitar, Keyboards, Vocals Bob Harris
Keyboards, Vocals
Tommy Mars
Keyboards, Vocals
Patrick O'Hearn
Bass, Wind
Lisa Popiel
Vocals
Scott Thunes
Synthesizer, Bass, Vocals
Ray White
Guitar (Rhythm), Vocals
Moon Unit Zappa
Vocals
Lisa Popeil
Vocals

Reviewed by MJBrady on 15 Mar 2003


When Frank is in fusion/prog mode, his music is as good as it gets, and for the most part, the music on SATLTSDW is one of his many strong statements as both a musician, arranger and composer. As usual he is joined by a long list of outstanding talents, and rightly so, as there are some moments of brilliance on this album that only the very skilled musician could partake in.

Zappa was always the prodigeous personality and musician, yet it was on records like this that he offered some of his most ambitious writing skills, and as a result, he was able to tap into the depths of his surrounding performers abilities, and create some of the most technically astouning music in the prog or fusion market. The trick with Zappa's music is to find the predominently instrumental jewels that lie between the more politically charged lyrical ones. Both are valid statements for Zappa, but from a progfusion perspective, it is recordings like this one that leave listeners like myself in utter amazement.

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