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See See The Sun

a Studio release

Release Year: 1973

Date Label Catalog # Comments
1973 LP
1973 LP Harvest 11305
Added To Proggnosis Database on: 1/29/2001 12:00:00 AM
Entry Last Updated on: 2/7/2011 2:32:00 AM by: Rob
  1. Reason For It All (6.29)
  2. Lyrics (3.42)
  3. Mouldy Wood (5.16)
  4. Lovely Luna (8.19)
  5. Hope For A Life (6.49)
  6. Ballet Of The Cripple (4.39)
  7. Forever Is A Lonely Thought(5.26)
  8. Mammoth (2.57)
  9. See See The Sun (4.13)
  10. Bonus Tracks

  11. Still Try To Write A Book (2.01)
  12. Give It A Name (2.44)
Ton Scherpenzeel
Piano's, Synths, Organ, Harpsicord, Vocals, Accordion
Pim Koopman
Drums, Percussion, Marimba, Vocals
Johan Slager
Guitars, Vocals
Max Werner
Mellotrons, Percussion, Vocals
Cees van Leeuwen
Bass, Harmonica

Reviewed by Eric on 15 Sep 2002

Kayak seem to get little respect in the prog community who tend to criticize the band for being too commercial, and to some extent they are right. They leaned more towards shorter and concise material rather than longer songs normally associated with progressive rock, especially so on the later albums with vocalist Ed Reekers. While very popular in their native Holland, they failed to crack the North American market. This was a shame as Kayak’s music would have had great appeal to fans of Kansas and Styx.

See See The Sun will have the most appeal to prog fans as it’s drenched in Mellotron, and even at this early stage it’s clear Ton Scherpenzeel was and is a world class keyboardist. He dominates the Kayak sound even adding Harpsichord on several tracks which sounds better on the record than it looks on paper. Max Werner’s vocals are similar to Gabriel’s giving Kayak a slight Genesis feel throughout. Drummer Pim Koopman offers lead vocals on 'Forever is a Lonely Thought' sounding a lot like Barclay James Harvest, and 'Mammoth' is surreal and a bit dark in its use of a Circus music theme which shows the band could be highly creative in the space of just three minutes. No easy task for any band. This is the magic of Kayak.

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