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Banquet

a Studio release
by
Lucifer's Friend

Release Year: 1974

Date Label Catalog # Comments
1974 LP
1974 German Vertigo or US Billingsgate. Reissued on CD by Repertoire, IMS7017
Added To Proggnosis Database on: 10/17/2001 12:00:00 AM
Entry Last Updated on: 3/19/2023 9:11:00 AM by: ZapNiles
  1. Spanish Galleon (11:50)
  2. Thus Spoke Oberon (11:50)
  3. High Flying Lady Goodbye (3:40)
  4. Sorrow (11:36)
  5. Dirty Old Town (4:46)
Herb Geller
Wind
John Lawton
Vocals
Herbert Bornholdt
Percussion, Vocals
Peter Hecht
Keyboards
Peter Hesslein
Guitar, Vocals
Dieter Horns
Bass, Vocals
Bob Lanese
Trumpet

Reviewed by Others on 25 Oct 2001


Lucifer's friends fourth and best album by far. This is a long forgotten gem, but beware of their other albums that aren't as good, listen before bying.

Reviewed by Eric on 07 Jan 2006


Lucifer’s Friend were always an interesting band in my book, moving from blues based hard rock influenced by Uriah Heep in their early days and ending up on their final release Sumogrip as an American influenced AOR band begging for a piece of the corporate rock pie a decade too late. My problem, if it is one, was their more ‘progressive’ releases failed to move me very much and this includes Banquet.

Just way too many different style here from jazz rock, Latin, brass to straight classical rock leaving me bewildered at what direction they thought they were moving in? Sorrow is the longest track here and in my opinion the best fitting into the symphonic side of the band and where I feel they should have stayed.

Not a great record by any means, but worth checking out, if just for Sorrow alone.

Reviewed by ZapNiles on 19 Mar 2023


In 1974, Germany's Lucifer's Friend made the biggest, most jarring change in style yet. The Banquet album is a full-out foray into Jazz-Rock territory with the use of a brass section throughout. Hell, it’s basically Lucifer’s Friend meets Blood, Sweat & Tears.

To be perfectly honest, I hated the album at the time I purchased it, about a year after its release. The cover was so misleading, showing the band members, all dressed in black with their hook-handed mascot nearby, sitting at a banquet table in a gloomy Dracula-like castle, so I fully expected a return to the Heavy Metal sound of the cherished debut album, of which I was still so enamored.

Therefore, this foray into Jazz-Rock was a total shock to the system (and to my record needle) and everything just rubbed me the wrong way. Indeed, it took me three decades of letting the album sit on the shelf before I once again dared to give it another listen.

And what do you think happened? I’ll be damned, but I actually loved it.

Indeed, Banquet is now one of my favorite albums by the band, mostly due to two specific tracks, both masterpieces: “Spanish Galleon” and “Sorrow,” both of the songs surpassing the eleven-minute mark and being absolutely the best vocal performances John Lawton ever delivered on vinyl. The high-octane performances by the rest of the band (guitarist Peter Hesslein, keyboardist Peter Hecht, bassist Dieter Horns, and drummer Herbert Bornhold) shine through also, with the energetic instrumentation, complex arrangements, and wickedly wild horn section just adding to the treat.

So savor the Banquet provided by Lucifer's Friend, one of the most amazing and diverse bands to have ever existed...

4.5 out of 5 Stars