What is most amazing about this album is that, despite the band is tremendously connected to the 70’s progressive rock, it is still completely original and unrelated to most known bands from that period. Though some Genesis and/or Yes techniques are in use here, the music does not sound at all like any famous band from the time to which this albums n«music most relate to. This can only be seen as a monstrous compliment to Khatsaturjan musicality.
While some parts of the (many times semi-operatic) singing are not, to my opinion, completely well achieved, the choruses are awesome, and the architectural construction of the tracks is many times breathtaking, especially if you are a devoted 70’s fan.